The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.
《上(shàng )海月亮》根(gēn )据井(🙋)上厦的(de )同名原作(🍯)改编而成(🚴)的(de )舞台剧,由(yóu )栗(🕉)山民也执(🧠)(zhí(🎍) )导,野村(cūn )万斋(🎷)、广末(mò(📓) )凉(📉)子主演,鷲尾真(🏺)知子(zǐ )、(💌)土(👨)屋佑(yòu )壱、山崎一(yī )和辻(😵)万长共(gòng )同出演于2018年3月推(🆒)出。
《拳职妈妈(mā )》讲(🦒)述了一(yī(🚬) )位伟大的(de )拳击手(🐰)母亲(qīn )为(🎻)了(👏)鼓励儿(ér )子成(⛴)为一个(gè(🕒) )顶(🧘)天立地(dì )的男(📃)子汉,带着(🔲)患(🥧)有癌(ái )症的身体去参加拳(🎪)击(jī )比赛,最终(zhō(🔢)ng )儿子受到(🎬)激(jī )励,成长为男(📖)子汉的(de )励(😮)志(➗)故事。
Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
"Heidi (Osment), who initially left her small town of Pleasant Valley with the dream of one day becoming a successful painter, has put her own art on hold to excel as an art gallery curator. Now, a week before the gallery's big Christmas party, she must return home to watch her niece and nephew. She comes face to face with her high school love, Chris, now a teacher, who is in over his head after he must find a new last-minute location for the Christmas dance. Heidi offers to help him and together they discover a beautiful place for the dance, perfectly capturing the Christmas spirit, called Wonderland Farms. The more time Heidi spends in Pleasant Valley decorating for the Christmas SnowBall, the more she finds herself inspired to start painting again. With Christmas fast approaching, Heidi soon becomes torn between the life she built in the city and the life she is surprisingly charmed by back in Pleasant Valley, embracing her true passion."
ユミは夫(⛳)と娘の3(🎋)人(🆙)(rén )暮らし。近(jì(🙎)n )々引っ越(🙂)し(♒)を考えている。ユミは娘の(♑)レイナが時折うわ言を発(🤪)することが、少(❇)々気にか(🛥)かっていた。転居(🈳)(jū )の報告(👥)も(🦒)兼(jiān )ねて友人(🐾)ヒロミと(🐇)久(🚦)々に再会する(💤)ユミ。話(huà(🍰) )題(🚕)はいつしか「あの日」の(🥀)ことに。「私たちが埋めた(🖊)時、本当に死ん(🌹)でたのか(🚉)な(🆔)?」。ユミは「(☝)あの日」(👭)の(⏯)ことを清(qīng )算(👸)すべく、(😊)サ(🆗)エ、アコにも再会(huì )を(😠)決(🚒)意し、廃墟のような家に(🍇)一人で住むサエ(👡)に会いに(🧥)行く。サエは、見(👦)知(zhī )らぬ(🚁)少(🐰)女が現れて娘(🌓)だと言っ(💱)て(🚂)聞(wén )かず、し(🙌)ばらく一(🚐)緒(💋)(xù )に暮らしていたが死ん(💷)だこと、そして少女(nǚ )は(⬛)死んだままその(🥪)家(jiā )の3(🍣)階(🧟)に寝(qǐn )かされ(🌠)ていると(💺)い(🍢)うことを話し(✴)出す。(C)「黄(📰)(huá(🤪)ng )泉がえる少(shǎo )女」製作(🚗)委(⤵)員会
On the stage, where the premiere of the musical was supposed to take place, the drama broke out ... People went to the feast - cheerful, bright, but turned out to be face to face with death. They, who became hostages, who managed to pass a terrible ordeal, while preserving human dignity and courage - are ordinary people who have become heroes ...
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